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红花之歌4.0

类型:剧情  其它  1919 

主演:Greta Almroth Arvid Dahlberg 约翰·埃克曼 

导演:莫里兹·斯蒂勒 

播放地址

红花之歌剧情简介

电影《红花之歌》由Greta Almroth,Arvid Dahlberg,约翰·埃克曼主演,由莫里兹·斯蒂勒 执导,于1919年在其它上映,Johannes Linnankoski,古斯塔夫·莫兰德,莫里兹·斯蒂勒编剧,英文名:honghuazhige ,“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.  The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.  As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.  “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.

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红花之歌影评

酸笋剧场网友:莫里兹·斯蒂勒导演在《红花之歌》这部影评中的运镜、剪辑、演员Greta Almroth,Arvid Dahlberg,约翰·埃克曼 的演技、配乐都是满分的存在,《红花之歌》以剧情为切入感十分流畅不出戏,甚至里面的一些细节拍的如此之好,让我十分惊喜。

百度云网友:《红花之歌》的伟大之处就是给你营造了一个梦幻国度,不仅画面美而且充分发挥你的想象力,最主要是抽离现实让你短暂忘掉现实,从懂事起就听过这部影片,一直到现在才看,莫里兹·斯蒂勒不愧是大师,应该会继续看他其他的作品。

樱花动漫网友: 《红花之歌》这部影视作品放在人人都要喊着走出舒适圈的今天,简直是部丧爆了的作品吧!感谢Greta Almroth,Arvid Dahlberg,约翰·埃克曼的精彩演绎,感谢莫里兹·斯蒂勒导演,自由,说起来容易,其实是另一种束缚,太多的选择,等于别无选择!坚守自己可以掌控的东西,也是需要勇气的事!如果每个人都能坚守住自己的精神家园,就不会有那个操蛋的20世纪了吧!

酸笋剧场网友: 影片《红花之歌》剧情联系现实,题材很优秀,完成度很高,当中的场景推进都十分的紧凑,剧中的所有场景情节都可以将观众们的心所感染,在技术细节上面当中来看的话,其实也挑不出来很大的毛病,冲着剧情和演员也该给这个分数,Greta Almroth,Arvid Dahlberg,约翰·埃克曼等实力派演员的演技简直了。

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