In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having e from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has e to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, pensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), being a drug addict and himself being involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.
酸笋剧场网友:拉希德·努格马诺夫,导演在《针》这部影评中的运镜、剪辑、演员维克多·崔,Marina Smirnova,彼得·马莫诺夫,亚历山大·巴希罗夫, 的演技、配乐都是满分的存在,《针》以剧情为切入感十分流畅不出戏,甚至里面的一些细节拍的如此之好,让我十分惊喜。
百度云网友:《针》的伟大之处就是给你营造了一个梦幻国度,不仅画面美而且充分发挥你的想象力,最主要是抽离现实让你短暂忘掉现实,从懂事起就听过这部影片,一直到现在才看,拉希德·努格马诺夫,不愧是大师,应该会继续看他其他的作品。
樱花动漫网友: 《针》这部影视作品放在人人都要喊着走出舒适圈的今天,简直是部丧爆了的作品吧!感谢维克多·崔,Marina Smirnova,彼得·马莫诺夫,亚历山大·巴希罗夫,的精彩演绎,感谢拉希德·努格马诺夫,导演,自由,说起来容易,其实是另一种束缚,太多的选择,等于别无选择!坚守自己可以掌控的东西,也是需要勇气的事!如果每个人都能坚守住自己的精神家园,就不会有那个操蛋的20世纪了吧!
酸笋剧场网友: 影片《针》剧情联系现实,题材很优秀,完成度很高,当中的场景推进都十分的紧凑,剧中的所有场景情节都可以将观众们的心所感染,在技术细节上面当中来看的话,其实也挑不出来很大的毛病,冲着剧情和演员也该给这个分数,维克多·崔,Marina Smirnova,彼得·马莫诺夫,亚历山大·巴希罗夫,等实力派演员的演技简直了。
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